Journey to the West film setThe 86 edition of Journey to the West was set in more than half of China, and there were many filming locations. In the first episode," The Monkey King's Birth," the scene of Sun Wukong's birth was filmed in Beidai River. The part where he traveled to the sea to learn his skills was also filmed at the seaside. The waterfall of the Water Curtain Cave was shot at Huangguoshu Waterfall, and the interior scene was taken from the Boyue Cave of Lengshui River in Hunan Province. In " The Official Seal of the Horse," most of the interior scene of the horse was shot at CCTV and the playground of Beijing Yuying College. The scene of the Tianhe Horse was shot in Inner Mongolia. The little white dragon was also bought in this episode, and the episode also involved this place. The interior scenes of Havoc in Heaven were set on CCTV in Lingxiao Hall and Doushuai Palace, while the two outdoor fighting scenes were taken from Beijing's Shidu and Qiwang Tomb respectively. The scene of " Demon Extinguishing Wuji Country " was shot in Daming Temple in Yangzhou; the scene of Sun Wukong being crushed by the Five Elements Mountain was shot in the Stone Forest of Yunnan; the White Tiger Ridge, the nest of the White Bone Demon, was taken from Zhangjiajie in Hunan Province; the mountain in Henan Province was the location where the master and disciple walked through the Tongtian Avenue; the Great Sage made a fuss in the Banjiao Cave in Guilin, Guangxi Province; the shooting location of the Women's Country was the Lion Forest in Suzhou; and the " Eight Hundred Miles Flaming Mountain " was the location of the Flaming Mountain in Turpan. The 18th episode, Sweeping the Tower and Distinguishing the Strange Injustice, was almost all shot in Shanxi, such as Datong Yungang Grottoes, Taiyuan Jinci Virgin Hall, Shanxi Hongdong County Guangsheng Temple Flying Rainbow Pagoda, etc. The 19th episode, Mistaken Little Leiyin Temple, was shot in Huacheng Temple on Jiuhua Mountain in Jiangxi Province, and the 28 constellations saved Wukong in Jiande Lingqi Cave in Zhejiang Province. The scene of the 20th episode," Sun Hou Qiao Practitioners ", where the king of the Saiguo held a banquet to entertain Tang Sanzang and his disciples, was shot in Wang Youjun Temple of Lanting in Shaoxing, Zhejiang Province. The garden of the king of Zhu Ziguo was shot in Hangzhou Botanic Garden and Lingyin Temple. The entire episode of " Four Saints Test Zen Heart " in the 8th episode," Three Difficulties on the Way to Kan ", was shot in Tianping Mountain.
Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
1967 Hong Kong Journey to the West filmThe 1967 Hong Kong edition of Journey to the West: The Coiled Silk Cave told the story of Tang Sanzang and his disciples coming to the Coiled Silk Ridge, where there were seven spider spirits in the Coiled Silk Cave. These seven spider demons danced in the cave every day, waiting for their prey. When they saw Tang Sanzang and his disciples arriving in the crystal ball, they turned the Coiled Silk Cave into a big mansion to lure Tang Sanzang, but Sun Wukong saw through them. After that, the spider demons lured the tiger away from the mountain. First, they let the three spiders lure Sun Wukong and Zhu Bajie away, leaving the four spiders to deal with Tang Sanzang and Sand Monk. The big sister Golden Spider captured Tang Sanzang. Sun Wukong's combat power was reduced in this movie, but he finally took down the smallest green spider. There were also many plot reversals, replacement transformations, betrayal, and internal strife. The seven spider demons in the movie had their own ulterior motives and weren't as united as in the novel. Moreover, Sun Wukong and the demons used many tricks to confuse their opponents by changing their appearances. For example, the Golden Spider offered a plan to save the Green Spider and turn it into a local god. Sun Wukong was tricked into letting the Green Spider go and even let her take away Zhu Bajie, who had turned into a pig. Sun Wukong even used his avatar to fake his death by touching the net in front of the Silk Cave. The centipede spirit and the red spider conspired to steal the samadhi true fire gourd of the Taishang Laojun and burn the other spiders to death to swallow the Tang Sanzang meat, while the seven sister green spider liked Tang Sanzang and wanted to take him far away. Sun Wukong used the differences of the spider spirits to become the second sister silver spider to expose the green spider to the golden spider, so that the golden spider stabbed the green spider.
Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Zhenbei Film and Television Base, Journey to the WestZhenbei Castle Film and Television City (Zhenbei Film and Television Base) was a very suitable place to take photos related to a Chinese Oscaristic Journey to the West. It was located in Yinchuan City, Ningxia Hui Autonomous Region. There were many filming scenes of "A Chinese Oath to the West", such as the Coiled Silk Cave and Niu Fu in Qingcheng. The film studio was quaint, primitive, rough, desolate, and had a strong cultural atmosphere. Every corner could be turned into a beautiful photo. It could be described as "one step at a time." Not only could tourists find many scenes in the movie to take photos, but they could also feel the atmosphere in the movie. However, one needed to buy an 80-yuan ticket to enter the film studio. There were also rickshaws, camel rides, horse rides, and other separately paid programs in the scenic area. However, if it was just for taking photos, it was recommended to walk around.
<a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Hong Kong film 68 version of Journey to the WestThe 1968 Hong Kong edition of Journey to the West: The Kingdom of Women told the story of the four masters of the Tang Dynasty passing through the Kingdom of Women and fighting with the demons.
Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Old Journey to the West horror film videoThe 1927 edition of Journey to the West had a horror element. In this version, Sun Wukong was a hideous monkey demon, Zhu Bajie was extremely ugly with a black pig's head, Monk Sand was like an ogre, and Tang Sanzang was played by a woman. In the plot of the coiling silk cave, there were scenes where the spider spirit showed its thighs and waist, and there were also scenes where human legs appeared. However, this version was banned for nearly a hundred years and was only slowly lifted in 2011. In addition, in 2024, there was a movie called Journey to the West 1996 Mandarin Version that was labeled as a horror film. However, the specific information about its horror elements was not mentioned in detail. You can try to watch it on Qiqi Movie Network (<anno data-annotation-id ="8f6a778 - 4f92 - 4f92 - 4f92 - 9f92 - 8f999f888887b"></anno></anno>) for more information.
<a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A knockoff version of Journey to the West animated filmIn the reference materials, it was mentioned that the 1940 Japanese Toho's "Sun Wukong" was a knock-off version of "Journey to the West." It was a musical version of an animated film, in which Sun Wukong held a machine gun and fought against paper aliens while singing. In 2018, there was a 3D animated film called "Journey to the West" that subverted the image of "Journey to the West." For example, Sun Wukong became fat in his middle age,"Tang Sanzang and his disciples changed into a group, and the Bull Demon King was full of hostility and had a huge bull army. This could be seen as an innovative adaptation of the traditional" Journey to the West."In a sense, it was also similar to a" knockoff "(not a derogatory term, but a re-creation of a different style). In addition, the animated film "Journey to the West", which was officially announced in 2024, did not show any similar situation of imitation. However, if understood from a broad sense, different animation productions might have their own "imitation"(unique creation) style for the re-interpretation of the story of Journey to the West.
<a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What was Journey to the West in the history of Chinese film and television?Journey to the West was a classic Chinese web novel that had played an important role in the history of Chinese film and television. The author of the novel was Wu Chengen. The story of Sun Wukong and the others going to the Western Paradise to learn Buddhist scriptures was a continuation of Journey to the West.
In the history of film and television, Journey to the West had been adapted into television dramas and movies many times. Among them, the TV series of the same name shot by China Central Television in 1986 was widely watched and became one of the Chinese cultural classics. In addition, the novel has also been made into many movies and TV series, such as the 1990 film "Journey to the West: Legend of Wukong" directed by Hong Kong director Huang Jiaju and the 2008 film "Journey to the West: Legend of Wukong" directed by the mainland of China Yang Yazhou.
Journey to the West played an important role in the history of Chinese film and television, and was regarded as one of the important representatives of Chinese culture.
What if he were to film Journey to the West again?If he wanted to continue filming Journey to the West, he needed to consider the following aspects:
1 The role of Sun Wukong: Sun Wukong is one of the most important characters in Journey to the West. His character, behavior, and charm are deeply loved by the audience. How to portray the image of Sun Wukong was a problem that needed to be solved. He could consider making Sun Wukong more personal and revealing his personality and characteristics through more in-depth descriptions.
2. The role of Tang Sanzang: Tang Sanzang is another important character in Journey to the West. His wisdom, compassion, and tenacity are all impressive. How to portray the image of Tang Sanzang was also a problem that needed to be solved. He could consider letting Tang Sanzang be more deeply rooted in people's hearts and show his character and characteristics through more in-depth descriptions.
Other characters: Other than Sun Wukong and Tang Sanzang, there are many other characters who play an important role in Journey to the West. For example, Sha Wujing and Zhu Bajie. How to portray the other characters was also a problem that needed to be solved. He could consider making the other characters more personal and revealing their personalities and characteristics through more in-depth descriptions.
4. Special effects and action scenes: Shooting Journey to the West requires consideration of special effects and action scenes. He could consider using more advanced special effects technology to show more realistic scenes and special effects. At the same time, he also needed to ensure the smoothness and realism of the action scene.
5. Storyline: The filming of Journey to the West needs to consider the story. He needed to ensure the integrity and cohesiveness of the story while maintaining the uniqueness and appeal of the story.
If he wanted to continue filming Journey to the West, he needed to be fully prepared and consider many aspects to present an even better work.
The most classic film review of a Chinese Opus Journey to the WestA Chinese Oath to the West was a classic movie. It was loved by the audience because of its unique plot and character creation. The film combined modern elements with ancient myths, telling the love story between Joker and Zixia Fairy through time and space. The soundtracks and musical clues in the film also added emotional and tragic elements to the story. The plot of A Chinese Oscaristic Journey to the West was complex and fascinating. Through Joker's love and time travel, it showed the growth and tempering of the characters. The film's unconventional narrative style and abnormal character creation gave the audience a refreshing feeling. Although the box office and reputation were not ideal at the beginning, as time went by, a Chinese Obelisk gradually became a classic that was recognized and loved by the audience.